The Beauties of the Shore (Internet Archive beautiesshoreor00stirgoog) is is a mildly interesting account of East Devon towns and villages. It's very impersonal and completist – the reader will tend to glaze over at the 'laundry list' historical detail in places, such as the lengthy chunks of heraldic descriptions of church monuments. I don't get any impression of beauties of the shore; this is a real Gradgrind account of the region - possibly unsurprising given that the author was a headmaster.
Consequently I found myself sidetracked by looking up the uncredited poetry quotations Stirling uses to head some of the chapters. They mostly turn out to come from very different contexts than the texts they accompany. While there’s nothing inherently wrong with this, Stirling is distinctly cavalier with the texts; most are misquoted in some way, but also he's often blatant in ripping off poetry written about other Devon locations, even rewriting to splice in substitute placenames or to make other 'improvements' (in one example, changing a sunset to a sunrise).
Here are the offending specimens. The names in bold are Stirling's chapter titles.
SeatonThis is a poorly-remembered (or deliberately embellished) chunk of Nathaniel Howard's 1804 Bickleigh Vale...
'Through glory-streaming clouds, the sun's broad orb
Appears: the gilded vapours wave along
The verdant vale, where bright rivers wind,
Delicious in the sweetness of the morning air:
The shadowy distance melts to fluid gold,
And magic grandeur kindles into day.'
Thro' glory-streaming clouds, the sun's broad orb... and Stirling has revised Howard's sunset into a sunrise. See Bickleigh Vale, with other poems (Internet Archive bickleighvalewit00howa).
Descends: the gilded vapours wave along
The verdant vallies, where bright rivulets wind
Delicious is the sweetness of the air :
The softening distance melts to fluid gold ;
While to the east, soft ruddy hues recede
Slow-fading to a colder, leaden dye.
frontispiece to Bickleigh Vale, with other Poems, 1804 |
AxmouthThis comes from Hugh Downman’s 1788 Infancy, or The management of children, a didactic poem, in six books, (see Internet Archive infancyormanage00downgoog) and is actually referring to Dawlish. See, previously, Downman's Infancy.
“In her once glowing vest, to thee my lyre
Shall oft be tuned, and to thy nereids green,
Long, long unnoticed, in their haunts retired.
Nor will I cease to prize thy lovely strand.
Thy towering cliffs, nor the small babbling brook
Whose shallow current laves thy deep-sunk vale.
RowsedounThis is from The Inland Tide by Henry Sewell Stokes, from his 1836 collection The Vale of Lanherne and Other Poems (Google Books ID K8o_AAAAYAAJ).
Hail to the rising waters,
Bright, buoyant, fresh, and free;
Hail to thee, dimpling daughter
Of the far-rolling sea!
Pure from the azure fountain
Of the unfathom'd main,
Thou bring'st to the parched mountain
The cup of joy again.
Voices of music follow
Thy silver-sandall'd feet;
Rock, mead, and woodland hollow.
The ocean-stranger greet
But now as swiftly fleeting
Unto her native deep,
See the bright nymph retreating;
Away the wild waves leap.
Vale of Lanherne, frontispiece to The Vale of Lanherne and Other Poems, 1836 |
ShuteThis is an Anglicised version of ...
“Here summer first unfolds her robes,
And here they longest tarry.”
“There simmer first unfald her robes,... from Robert Burns’s Highland Mary. (Stirling, of Scottish stock, ought to be ashamed at 'correcting' Burns's dialect). Burns is referring to the scenery around Coilsfield House (later called Montgomery Castle) near Tarbolton, Ayrshire, where his love Mary Campbell worked.
And there the langest tarry”
ColytonThis seems to originate with William Beloe’s 1786 The Rape of Helen, from the Greek of Coluthus, with Miscellaneous Notes (Google Books ID zY4pAAAAYAAJ):
“Amidst luxuriant scenes, with conscious pride,
The dimpling Coly winds her silver tide.”
Fresh and alert, forth from the silver tide,It seems to be a regularly lifted classical allusion; elsewhere you can find the "conscious pride ... silver tide" couplet used to refer to the Avon, the Exe, and the Griese (a river at Ballitore, Ireland).
The blooming Paris sprung, with conscious pride.
WidworthyThis is from The Spring Journey, c. 1817, by Bishop Heber (Reginald Heber, Lord-bishop of Calcutta). Heber was actually writing about a horseback journey into Wales. The poem is quoted in volume 1 of the biography by Amelia Heber (Internet Archive lifeofreginald01hebe).
“Here green was the com, as I journied my way,
And bright were the dews on the blossoms of May,
And dark was the sycamore's shade to behold.
And the oak's tender leaf was of em'rald gold.
The thrush from his holly, the lark from his cloud.
Their chorus of rapture sung jovial and loud ; —
From the soft vernal sky, to the soft grassy ground.
There was beauty above me, beneath, and around.”
FarwayThis is misquoted from George Smith’s Six Pastorals, 1770 (Google Books ID 4B1WAAAAYAAJ):
“Here down the flow’ry vale, on either side,
Within the hedges, dress’d in flow’ry pride,
The votive warblers make the covers ring
With love’s fond notes, which they in transport sing.”
“While all along the vale, on either side,Maybe Stirling thought "coupled finches" was too raunchy.
Within the hedges dress’d in flow’ry pride,
The coupled finches make the coverts ring
With love’s fond notes, which they in transport sing.”
South-LeighThat one checks out, although some versions have “exiguoque” rather than “parvoque”.
Illic saltus, ac lustra ferarum,
Et patiens operum parvoque assueta juventus. - Virgil.
There are lawns, and habitations of wild beasts,
and a youth patient of labour, and contented with a little.
SidmouthFor once, this one is authentic (if uncredited). This is part of a sonnet in the anonymously-written 1816 The beauties of Sidmouth displayed. See the 1820 edition (Internet Archive beautiesofsidmou00butc), which identifies the author as the Rev. Edmund Butcher.
‘Sidmouth, Hygeia's chosen seat,
Again receive me: let me greet
Thy ruddy cliffs, thy pebbly beach,
Thy broad majestic ocean reach;
And streams that murmur thro’ thy green retreat.
"Woolbrook Cottage", frontispiece to The beauties of Sidmouth displayed, 1816 |
BictonThis is from NT Carrington’s 1820 The Banks of Tamar, a Poem, in which the original line was:
Now see how Bicton beautifully lifts
Her bank, high peering o’er the eccentric stream!
Mark how the pensile woodlands from the brink
Of the clear labrinthian waters, clothe
The slopes;—one deep and dark and graceful sheet
Of verdure, climbing to the aerial ridge.
But see, how Devon beautifully liftsSee Internet Archive bankstamarapoem00carrgoog.
ExmouthAnother chunk ripped from The Banks of Tamar, originally ...
….. By breezy hills,
And soft retiring dales, by smiling lawns,
Bold headlands dark with umbrage of the groves,
By towns and villages, and mansions fair,
By rocks magnificent, and potent rush
Of the mysterious ocean, we have attain'd
The gay and beautiful town of Exmouth.'
Through every maze perplex'd where Tamar loves... with a placename grafted in.
To lead the voyager! By breezy hills,
And soft retiring dales, by smiling lawns,
Bold headlands dark with umbrage of the groves.
By towns, and villages, and mansions fair,
And rocks magnificent, the potent rush
Of the mysterious ocean has impell'd
Our bark to day; but, mark! its force is spent.
DM Stirling (Donald McNee Stirling, according to the 1898 Colytonia: a chapter in the history of Devon) is credited on the title page as “Master of the Free Grammar School of Colyton, and author of The Torquay and Teignmouth Guide, History of Newton-Abbot, Discourse on the Seasons, &c”. He really ought to have known better than such shoddy, if not outright dishonest, scholarship. Zero out of 10.
- Ray
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